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We’ve updated our Terms of Use. You can review the changes here.

Stolen From​.​.​.

by The Dalton Correction

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fonsofonsi Tremendo EP, un viaje distópico y caótico, donde lo más oscuro sigue siendo brillante. Favorite track: Stolen.
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1.
Pibe 08:00
2.
Rayón 04:33
3.
4.
Stolen 06:37
5.

about

For its second -and awaited- release, The Dalton Correction travels back in time and forward to the future. “Stolen From...” is a 5 tracks EP presented both in cassette and digital formats. The journey starts with the historic reconstruction of one of the hidden gems of Argentine rock: “Pibe” an unreleased track by Pescado Rabioso that Spinetta never recorded properly in studio and only survived in bootleg live recordings. “Rayón” completes the first side with a sonic cocktail containing: squeaky swing, frantic arpeggios, changing harmonies and a futuristic power-coda. The B side brings us back in time with Giles-Giles-Fripp /King Crimson’s revisited classic “I Talk To The Wind”, followed by the feral track that gives name to the album. The cassette ends with an intense live version of one of Pappo’s Blues trademark hits. But the trip never ends: just switch the side, press “play” and let the music flow until all your time becomes stolen.


Para su segundo -y esperado- lanzamiento, The Dalton Correction viaja atrás en el tiempo y luego hacia el futuro. “Stolen From…” es un EP de 5 temas que se presenta tanto en cassette como en formato digital. El trayecto comienza con la reconstrucción histórica de una de las gemas perdidas del rock Argentino: “Pibe” un tema inédito de Pescado Rabioso que Spinetta jamás grabó propiamente en estudio y del que sólo sobrevivieron registros piratas en vivo. “Rayón” completa el primer lado con un cocktail sonoro que contiene: swing estridente, arpegios desaforados, armonías cambiantes y una power-coda futurística. El lado B nos retrotrae nuevamente en el tiempo revisitando el clásico de Giles-Giles-Fripp/King Crimson “I Talk To The Wind”, seguido luego por el indómito tema que da nombre al álbum. El cassette cierra con una intensa versión en vivo de uno los hits icónicos de Pappo’s Blues. Pero el viaje nunca termina: sólo hay que cambiar el lado, apretar “play” y dejar que la música surja hasta que se haya robado todo tu tiempo.

credits

released January 12, 2020

A1, B1, B2 Recorded at: Huapi (Buenos Aires), Yaguareté (Buenos Aires), Cápsula Libre (Monte Grande) & Berlin BGE HQ 2018-2019
A2 Recorded at Kimono by Klaus Dalton 2016-17
B2 recorded at Huapi by Salty George Dalton 2018
B3 Recorded live at Templum, Buenos Aires 13/4/2018

All Tracks Mixed & Mastered by Mars Dalton at Berlin HQ Studios 2018 - 2019

Pieces written by Rev Dalton (A2 & B2), L.A. Spinetta (A1), Ian McDonald & Peter Sinfield (B1) & Norberto “Pappo” Napolitano (B3)

All pieces arranged by The Correction

Produced by The Correction for Possible Records

Ernie Dalton: electric and acoustic guitars, vocals
Al Dalton: electric and acoustic guitars, vocals
Marc Dalton: bass, acoustic guitar, vocals
Gus Dalton: drums, percussion, organ, mellotron
—————
Ron Dalton: 12 string acoustic and backing vocals on B2
Mars Dalton: backing vocals on B2

Design by www.gogogoch.com.ar
The Copyright of the pieces is owned by the writers and the arrangers

Thanks: to LAS & Pescado, Aníbal “Vieja” Barrios, JRS Studio Berlin, Eduardo Civile, Mars, Ron, Klaus & Salty George.

Possible Records 740026

thedaltoncorrection.bandcamp.com
www.facebook.com/thedaltoncorrection
www.thedaltoncorrection.com

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about

The Dalton Correction Buenos Aires, Argentina

A mix of Argentine-Rock’s early roots combined with high doses of the most pure Prog/Sonic/Psych DNA, touches of cinematic soundtracks, raw garage and even country.

Las tempranas raíces del Rock Argentino combinadas con altas dosis del más puro ADN Progresivo/Sonico/Psicodélico, además de toques cinematográficos, garaje crudo y hasta country.
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